Originally, there was a band called Alice Cooper led by a singer named Vincent Damon
Furnier. Under his direction, Alice Cooper pioneered a grandly theatrical and violent brand of heavy metal
that was designed to shock. Drawing equally from horror movies, vaudeville, heavy metal, and garage rock,
the group created a stage show that featured electric chairs, guillotines, fake blood, and huge boa constrictors, all coordinated
by the heavily made-up Furnier. By that time, Furnier had adopted the name for his androgynous on-stage personality.
While the visuals were extremely important to the group's impact, the band's music was nearly as distinctive. Driven by raw,
simple riffs and melodies that derived from '60s guitar pop as well as show tunes, it was rock & roll
at its most basic and catchy, even when the band ventured into psychedelia and art rock. After the original
group broke up and Furnier began a solo career as Alice Cooper, his actual music lost most of its theatrical
flourishes, becoming straightforward heavy metal, yet his stage show retained all of the trademark props that made
him the king of shock rock.
Furnier formed his first group, the Earwigs, as an Arizona teenager in the early
'60s. Changing the band's name to the Spiders in 1965, the group was eventually called the Nazz (not to be confused
with Todd Rundgren's band of the same name). The Spiders and the Nazz both released local singles that
were moderately popular. In 1968, after discovering there was another band called with the same name, the group changed its
name to Alice Cooper. According to band legend, the name came to Furnier during a ouija board session, where
he was told he was the reincarnation of a 17th-century witch of the same name. Comprised of vocalist Furnier -- who
would soon begin calling himself Alice Cooper -- guitarist Mike Bruce, guitarist Glen Buxton, bassist
Dennis Dunaway, and drummer Neal Smith, the group moved to California in 1968. In California, the group met
Shep Gordon, who became their manager, and Frank Zappa, who signed Alice Cooper to his Straight Records
Alice Cooper released their first album, Pretties for You, in 1969. Easy Action
followed early in 1970, yet it failed to chart. The group's reputation in Los Angeles was slowly shrinking, so the band moved
to Furnier's hometown of Detroit. For the next year, the group refined their bizarre stage show. Late in 1970, the
group's contract was transferred to Straight's distributor Warner Bros., and they began recording their third
album with producer Bob Ezrin.
With Ezrin's assistance, Alice Cooper developed their classic heavy metal
crunch on 1971's Love It to Death, which featured the number 21 hit single "Eighteen"; the album peaked at number
35 and went gold. The success enabled the group to develop a more impressive, elaborate live show, which made them highly
popular concert attractions across the U.S. and eventually the U.K. Killer, released late in 1971, was another gold
album. Released in the summer of 1972, School's Out was Alice Cooper's breakthrough record, peaking at number
two and selling over a million copies. The title song became a Top Ten hit in the U.S. and a number one single in the U.K.
Billion Dollar Babies, released the following year, was the group's biggest hit, reaching number one in both America
and Britain; the album's first single, "No More Mr. Nice Guy," became a Top Ten hit in Britain, peaking at number 25
in the U.S. Muscle of Love appeared late in 1973, yet it failed to capitalize on the success of Billion Dollar Babies.
After Muscle of Love, Furnier and the rest of Alice Cooper parted ways to pursue other projects. Having
officially changed his name to Alice Cooper, Furnier embarked on a similarly theatrical solo career; the rest
of the band released one unsuccessful album under the name Billion Dollar Babies, while Mike Bruce and Neal
Smith both recorded solo albums that were never issued. In the fall of 1974, a compilation of Alice Cooper's five
Warner albums, entitled Alice Cooper's Greatest Hits, became a Top Ten hit.
For his first solo album, Cooper hired Lou Reed's backing band from Rock 'N'
Roll Animal -- guitarists Dick Wagner and Steve Hunter, bassist Prakash John, keyboardist Joseph
Chrowski, and drummer Penti Glan -- as his supporting group. Welcome to My Nightmare, Alice Cooper's
first solo album, was released in the spring of 1975. The record wasn't a great departure from his previous work, and it became
a Top Ten hit in America, launching the hit acoustic ballad "Only Women Bleed"; its success put an end to any
idea of reconvening Alice Cooper the band. Its follow-up, 1976's Alice Cooper Goes to Hell, was another hit,
going gold in the U.S. After Alice Cooper Goes to Hell, Cooper's career began to slip, partially due to changing
trends and partially due to his alcoholism. Cooper entered rehabilitation in 1978, writing an album about his treatment
called From the Inside (1978) with Bernie Taupin, Elton John's lyricist. During the early '80s, Cooper
continued to release albums and tour, yet he was no longer as popular as he was during his early-'70s heyday.
Cooper made a successful comeback in the late '80s, sparked by his appearances in horror
films and a series of pop-metal bands that paid musical homage to his classic early records and concerts. Constrictor,
released in 1986, began his comeback, but it was 1989's Trash that returned Cooper to the spotlight. Produced
by the proven hitmaker Desmond Child, Trash featured guest appearances by Jon Bon Jovi, Richie Sambora,
and most of Aerosmith; the record became a Top Ten hit in Britain and peaked at number 20 in the U.S., going platinum.
"Poison," a mid-tempo rocker featured on the album, became Cooper's first Top Ten single since 1977. After the
release of Trash, he continued to star in the occasional film, tour, and record, although he wasn't able to retain
the audience recaptured with Trash. Still, 1991's Hey Stoopid and 1994's The Last Temptation were generally
solid, professional efforts which helped Cooper settle into a comfortable cult status without damaging the critical
goodwill surrounding his '70s output. After a live album, 1997's Fistful of Alice, Cooper returned on the smaller
Spitfire label in 2000 with Brutal Planet and Dragontown a year later. The Eyes of Alice Cooper
appeared in 2003 and found Alice and company playing a more stripped-down brand of near-garage rock. Dirty Diamonds
from 2005 was nearly as raw and hit the streets around the same time Alice premiered his syndicated radio show, Nights
with Alice Cooper.
~ Stephen Thomas Erlewine, All Music Guide
Copyright © 2004-2006, Only-Rock. All Rights Reserved. Do not use any materials without permission from Only-rock through
the Comment Form. All Logos and or likenesses thereof are Copyright protected, and are property of each respective band listed.